The colors of the soul in Delta N.A.'s informal painting

Alessandro Vignola and Neva Epoque, aka DELTA N.A. paint "With light in the heart"

Critical article by Dr. Melinda Miceli The Art Critic Melinda Miceli

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Alessandro Vignola and Neva Epoque, aka DELTA N.A, paint with four hands and live traveling among their countless exhibitions; Los Angeles, Beverly Hills, Genoa Biennale, Turin (Davico Gallery), Miami, Prato, Monte Carlo, Paris, Bargemon. From the inner dichotomy of contemporary man between earthly and divine forces, their artistic inspiration unfolds, made up of forms and appearances that sometimes overlap in levels and coloristic gradations in which, like a code, the first unveils the as the intellect gradually unties itself from artistic creation. Overlapping of geometricizing signs with iconic structures reproduce in pictorial intrigue man and nature in a synergistic creative commitment aimed at unifying in art the male and female soul, giving life to an intense, unpublished and acclaimed combination Success.
With light in your heart
The work "With light in the heart" - Tribute to the Cathedral of St. Martin in Lucca and the transverberation of St. Teresa D'Avila was born from the intention to unite on the canvas the dreamed memory of the great cathedral of St. Martin to the wonderful history of the wonderful history of the wonderful history of the wonderful history of the Transverberation of S.Teresa D'Avila.

This sacred figure with magnificent strength and spirituality is revealed in all its splendor while the light calls it to itself; total abandonment and the most complete trust in divine love symbolically corroborate God's existence; and in this mystical contemplation and ecstasy S.Teresa entrusts body and soul to God.

The image of transverberation associated with the architectural majesty of Lucca Cathedral reveals a universe in which the creed in the projection of a coveted spiritual elevation emerges vehemently. If the dream is the small occult part that leads to the most hidden and intimate part of the open soul on the original cosmic night that was already soul long before the consciousness of the self existed, with the dream we penetrate into the deepest universal true and eternal still plunged into the darkness of the primitive night in which everything was and all was in him. The light clouded by forces that do not allow to see the divine beauty, hovers on this beautiful canvas through color, frequency necessary to be able to enter by crossing together with creativity, in those archaic places of the soul, which trace their Expression. Signs, transparency, shapes and colors, laid on the support in an alternation of brushstrokes become the earthly portrait of a higher and venerable reality that expresses the "code of the soul". In the "formal breakdown" of the manifest world, every detail, every veil, every irradiation of light, needs to the scenic whole to create the magical context that opens the scene to the manifest of a life-giving divine phenomenon. The color rich in emotional and emotional meanings, together with the sign strengthens the metaphysical dimensions of the image in this painting that constitutes a topos of the soul absorbed in a path stretched towards a bright and ascetic horizon.

The masterful structural orchestration of the Opera encompasses the arcane role of color, with its supernatural nuances of indigo and yellow, the fundamental value of the painting, which does not have a veristic draft, but becomes metaphor, bridge, stretched towards a wonderful and evocative transcendent figuration, which overwhelms the ephemeral concreteness of the real to awaken ascetic and unspoiled suggestions".